Curvaceous Lady

I’ve signed myself up for a ten-day photography course in Thailand with Jonathan Taylor, one of the top photographers working in this region.

Day one: The basics of composition. I’m being asked to find lines and curves and patterns of repetition that make a good composition. We get off the Skytrain and I begin my internal cheerleader monologue, trying to drown out the fear that I’m going to be a phenomenal flop: “You are a photographing genius! Your photos know no bounds!”

I spot a line of broken-down wooden structures lining a staircase. “Repetition” I think, “I’ve found it!” I do my best “I’m an arteeest” pose, crouching down to get that unforgettable angle … Nothing doing. The wooden repetition still just looks like rotting wood clumsily banged together. I start to get nervous. Jonathan gently suggests that I think smaller. Fixated with these planks, I walk up to one of the decrepit wooden things and try to think small - desperately searching for a line or curve. I spend the next 10 minutes obsessing over a nail in the wood. It’s a line! (This is NOT going well!)

I leave Jonathan to go and sit inside an air-conditioned mall while I search for inspiration. I begin to have an argument with the internal cheerleader … she was lying to me!

I round a bend and there it is, what I’ve been waiting for … a pile of bricks. What ensues is a ridiculous picture of me rummaging for 30 minutes among a pile of bricks, obsessed with the patters of 1’s and 2’s being repeated, trying to make the pile of bricks not look like … well, a pile of bricks. I eventually think I need to introduce Jonathan to this pile of bricks and proudly walk into one of Bangkok’s poshest malls, my black trousers stained orange. Giorgio Armani is shaking his head. “Come quickly … it’s astonishing!” Jonathan follows me patiently into the heat, but unbelievable, he seems less excited by my pile of bricks. I try pointing out the repetition of the numbers, the lines … It begins to dawn on me that I look like a mad woman and we’re only two hours into our ten days.

After some mini cakes at a posh little coffee shop, Jonathan takes me a few blocks away to a plaza lined with fantastic architecture. Here the whole concept of lines and curves finally begins to make sense, but Jonathan tells me that the police don’t like people taking photographs here. “Well,” I think, “The authorities be damned! I’ve got curves to capture and this day is not going as I had hoped!” I wonder off and begin snapping until a policeman comes and tells me to stop. I try my biggest, most charming, “Oh, come now dear sir” smile, but to no avail. We were waved off, but I had captured my first shot …